<div class="slide-title1"><p>April Yvette Thompson is nominated for Drama Desk, Outer Critics Circle and AUDELCO Awards for Outstanding Solo Performance.</p> </div><div class="slide-credit-b">Photo By Joseph Moran</div> <div class="slide-title"><p>“April Yvette Thompson makes a wonderfully down-to-earth angel.”<br /> <strong>Broke-ology</strong><em> – Louise Kennedy, Boston Globe</em></p> </div><div class="slide-credit">Photo By T. Charles Erickson</div> <div class="slide-title"><p>“Thompson provides a serene, significant presence.”<br /> <strong>Broke-ology</strong> – <em>Frank Rizzo, Variety</em></p> </div><div class="slide-credit">Photo By T. Charles Erickson</div> <div class="slide-title"><p>“Actors itching to turn their personal lives into solo theatre need to come to “Liberty City” with a notepad.”<br /> <strong>Liberty City </strong>- <em>Mark Blankenship, Variety</em></p> </div><div class="slide-credit">Photo By Joan Marcus</div> <div class="slide-title"><p>“The transformation is haunting… Ms. Thompson’s Medea is a real hell cat…I suspect that no matter how many versions I see in the future, my perception of them all will be affected by the revelations here.”<br /> <strong>Medea </strong>- <em>D.J.R. Bruckner, The New York Times </em></p> </div><div class="slide-credit">Photo By Michael Messer</div> <div class="slide-title"><p>“A winning April Yvette Thompson…”<br /> <strong>The Exonerated </strong>-<em> Charles Isherwood, Variety</em></p> </div><div class="slide-credit">Photo By Bob Balaban</div> <div class="slide-title"><p>“In ‘Medallion,’ a young black woman, movingly played by April Yvette Thompson, begs a white general for the purple heart her brother won in battle so that she will have something to bury.”<br /> <strong>Antigone Project </strong>- <em>Phoebe Hoban, The New York Times</em></p> </div><div class="slide-credit">Photo By T. Charles Erickson</div> <div class="slide-title"><p>“Ms. Thompson whose expressive eyes overshadow the rest of her face, is an able actor.  There is rigor to her characterizations.” <strong>Liberty City </strong>-<em> Jason Zinnoman, The New York Times</em></p> </div><div class="slide-credit">Photo By Jill Jones</div> <div class="slide-title"><p>“April is chameleon-like.  She’s like Lily Tomlin or Whoopi Goldberg. She can do radically different people. But she’s also a brilliant actress. She doesn’t just mimic, she fulfills the complete character.”<br /> <strong>Liberty City </strong>- <em>Bob Balaban (Quoted in The New York Times)</em></p> </div><div class="slide-credit">Photo By Joan Marcus</div> <div class="slide-title"><p>“April Yvette Thompson etches a particularly strong portrait.”<br /> <strong>Lights Raise the Roof </strong>- <em>Michael Feingold, The Village Voice<br /> </em></p> </div><div class="slide-credit">Photo By Joan Marcus</div> <div class="slide-title1"><p>April Yvette Thompson’s Liberty City is nominated for a Lucille Lortel Award for Outstanding Off Broadway Solo Show.</p> </div><div class="slide-credit-b">Photo By Joseph Moran</div> <div class="slide-title"><p>“April Yvette Thompson is touching in Loomer’s monologue as a mother in the U.S. talking to her left-behind child in El Salvador.” – <em>Frank Rizzo, Variety</em></p> </div><div class="slide-credit">Photo By T. Charles Erickson</div> <div class="slide-title"><p>“The marvelously labile Thompson…”<br /> <em>-Sandra MacDonald, TheatreMania</em></p> </div><div class="slide-credit">Photo By T. Charles Erickson</div>
View Reel
or watch on Vimeo

Management
Kanner Entertainment
(212) 496-8175
kannerent@gmail.com

Agent
Professional Artists Agency
212 247 8770
ashley@professionalartists.net

Mailing List
mail@aprilyvettethompson.com

Copyright 2013 Functional Artist Web Designs. All Rights Reserved
Designed by Functional Artist Web Designs
Follow April Yvette Thompson on Twitter